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ISBN-10: 1118451627

ISBN-13: 9781118451625

This wide-ranging "Companion" presents an important assessment of contemporary chinese language literature in several geopolitical components, from the 1840s to now. It studies significant accomplishments of chinese language literary scholarship released in chinese language and English and brings cognizance to formerly missed, very important components. bargains the main thorough and concise assurance of contemporary chinese language literature to this point, drawing recognition to formerly overlooked components similar to past due Qing, Sinophone, and ethnic minority literature a number of chapters discover literature when it comes to Sinophone geopolitics, local tradition, city tradition, visible tradition, print media, and new media The creation and chapters provide overviews of the institutional improvement of contemporary chinese language literature in chinese language and English scholarship because the mid-twentieth century Contributions from best literary students in mainland China and Hong Kong upload their voices to overseas scholarship.

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Albany: State University of New York Press. Chen, Yu‐Shih. 1986. Realism and Allegory in the Early Fiction of Mao Tun. Bloomington: Indiana University Press. Cheng, Eileen. 2013. Literary Remains: Death, Trauma, and Lu Xun’s Refusal to Mourn. Honolulu: University of Hawaii Press. Cheung, Dominic. 1979. Feng Chih. Boston: Twayne. Chiang, Howard, and Ari Larissa Heinrich. Eds. 2013. Queer Sinophone Cultures. New York: Routledge. 27 Chou, Eva Shan. 2012. Memory, Violence, Queues: Lu Xun Interprets China.

A History of Modern Chinese Fiction, 1917–1957. New Haven, CT: Yale University Press. Hsia, C. T. 1963. 4–5: 428–474. Hsia, C. T. 1968. The Classic Chinese Novel: A Critical Introduction. New York: Columbia University Press. Hsia, C. T. 1971. A History of Modern Chinese Fiction. Second edition. New Haven, CT: Yale University Press. Hsia, C. T. 夏志清. 1979. Zhongguo xiandai xiaoshuo shi 中國現代小說史 (A history of modern Chinese fiction). Trans. Joseph S. M. Lau et al. Hong Kong: Union Press. Hsia, C. T.

Kong 2014). In Chapter 23, “The Proliferating Genre: Web‐Based Time‐Travel Fiction and the New Media in Contemporary China,” Jin Feng uses a subgenre of Internet literature as a revealing case to explore the effects of technology and new media on modern Chinese literature and culture. She first traces the origin and evolution of Chinese Web literature, including a discussion of the politics and economics of Web publishing. She then outlines salient characteristics of Web novels, such as their common plots, tropes, and devices.

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A Companion to Modern Chinese Literature

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