By James Rankin, Anna Ullrich
Animation Presets, a complicated Clone device, scripting aid, and a strong new colour correction method are only some of the purposes you are chomping on the bit to get all the way down to paintings with After results 6.5. In those pages, a grasp of the medium lets you just do that, proposing a sequence of tasks that discover each point of Adobe's animation and results powerhouse. via concentrating on the components that may be frustrating for pro clients - even if simply because they current thorny concerns or simply because they draw on thoroughly new positive factors - this quantity presents the targeted, useful guideline you want to maximize your After results productiveness. each one lesson offers need-to-know assistance, confirmed recommendations, and top practices for quite a few After results 6.5 services: from uploading and coping with photos to viewing and enhancing layers, animating style, and extra. The spouse CD contains QuickTime tutorial video clips, resource code, and records for the entire book's initiatives.
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Go to time 1;15, and change the Scale to 0%. 3. Copy these two keyframes. 39 40 4. Go to time 1;08, and paste the keyframes on layer 2. Paste the keyframes again on the remaining layers at the following points in time: Layer 3: 1;11 Layer 4: 1;14 Layer 5: 1;17 Layer 6: 1;20 The staggered Scale keyframes [View full size image] The squares should now radiate out for 25 frames, hold for 10 frames, and then collapse into the center for 25 more frames. Save your work, and preview the animation. Generating the other transitions You need to create the same transition in the other three colors chosen for this spot: 1.
3. Go to time 0;25. You should tweak the Orange Squares layer's position so that it covers the entire comp during the transition to the Moving BG Orange comp. Add a Position keyframe of 360, 270, and then copy the keyframe. 4. To hold the Orange Squares layer in that position during the transition, go to time 1;06 and paste the keyframe you copied. 5. Scrub the frames between the two keyframes you just created. You'll notice that the Orange Squares composition moves around even though the two keyframes have the same coordinates.
Matting a photo Next, let's begin adding the client's product photos: 1. Go to time 4;00, and add a composition marker (Shift+2). 2. Create a new solid called Pic Matte that has dimensions of 720x720 and is any color. ) 47 48 3. 5) and Position (346, 278) of the Pic Matte so it takes up the top two thirds of the larger orange square. Adding the Pic Matte 4. jpg file to the Timeline, under the Pic Matte layer. Notice that the image fills the entire composition. 5. Change the Bedroom_01 layer's Track Matte to Alpha Matte "Pic Matte".
Adobe After Effects 6.5 Magic by James Rankin, Anna Ullrich